About

Trusted to Launch. Counted On to Deliver

As a television editor with over two decades of experience shaping unscripted series for A&E, TLC, Discovery, The CW, HGTV, Food Network, and History, I’ve been trusted to cut pilots, premieres, and the early episodes that define a show’s identity — including Crime Nation, Unpolished, 60 Days In, Finding Andrea Knabel, Say Yes to the Dress: Atlanta, and Lil Jon Wants to Do What?

Whether I’m building narrative from raw footage, crafting recreations, or fine-tuning a transformation arc, I bring a calm, collaborative presence and sharp editorial instincts, especially among shifting schedules and streamlined workflows. I'm often asked to remain on past my wrap date to help finish a series because of the trust I build with post teams and networks.

How I work

I started my career at New York Times Television and Hybrid Films, learning under producers who worked as editors themselves. That shaped how I approach every cut — with a deep respect for structure, tone, and storytelling clarity.

I love digging into the raw, finding the gold that transcends a stringout, and crafting sequences that build rhythm and emotion. I’m detail-oriented in audio and music, great at building dynamic scores with stems, and equally comfortable going dry when the scene calls for it. Whether it’s true crime, docu-follow, or lifestyle/reno, I aim to elevate the material — not just finish it.

What I Bring