Fixing it in Post
ABOUT
I'm a television editor with over two decades of experience working across unscripted series for A&E, TLC, Discovery, The CW, HGTV, Food Network, History, and Amazon Prime. My work includes pilots, premieres, and early episodes that help define a show’s voice - including Crime Nation, Unpolished, 60 Days In, Finding Andrea Knabel, Say Yes to the Dress: Atlanta, and Lil Jon Wants to Do What?
I work comfortably in raw, messy material, building narrative, crafting recreations, and refining story arcs under tight schedules. I’m known for being steady in post, collaborative with teams, and focused on getting the story right without adding friction to the process.
How I work
I started my career at New York Times Television and Hybrid Films, learning under producers who came up through editing. That background shaped how I approach every cut, with attention to structure, tone, and clarity.
I take time digging into the raw, finding moments that elevate the scene beyond the stringout. I’m detail-oriented in audio and music, comfortable scoring cuts with stems or letting a scene play dry when it needs space. Across true crime, docu-follow, and lifestyle formats, I aim to elevate the material - not just finish it.
What I Bring
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20+ Years Editing Unscripted TV
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Pilots, Premieres & High-Pressure Turnarounds
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Creative Storytelling + Tech Fluency
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Collaborative, Calm, Deadline-Ready

Tools & Platforms:
Avid Media Composer · Adobe Premiere Pro · DaVinci Resolve · Boris FX Sapphire · Frame.io · PC & Mac · Remote-Ready Workflows
Where You've Likely Seen My Work

If You've Read This Far...
thank you - if you're looking for an editor with strong story instincts and someone you can count on in post — let’s talk.
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